London · 2009—2026
Digital Imaging Technician
Eighteen years on commercial sets, holding the image between the camera and the grade. 4,506 shooting days across the agencies, production companies and brands that make British advertising — and, lately, the same eye pointed at what AI can and cannot do to a picture.
Advertising
A handful of the finished spots, matched from my own call sheets by brand, director, production company and agency.
Music videos
Booked as DIT. Dates and directors come off the call sheets and booking emails.
Also shot as DIT, no film online to link: Take That live at Abbey Road · Arctic Monkeys live · AC/DC · Faithless · Kaiser Chiefs · Andrea Bocelli · Sugababes · Seasick Steve · Ray Davies & Chrissie Hynde · Alice Russell · Leon Jean Marie.
Feature films
DIT and HD tech on features and feature documentary. Trailers below.
Also dailies on RA.One, The Social Network (UK unit), Four, and BBC drama Jonathan Creek.
A long collaboration
Twelve years of commercials with the cinematographer behind The Hurt Locker, United 93, Captain Phillips and The Big Short — booked as his DIT from 2009 to 2021.
ASDA ‘Bakery’ & ‘Cheese’, RSA Films · Clover, dir. Jake Nava · Co-op, dir. Vince Squibb · Jaguar ‘The Brand’, Gorgeous · Premier League Primary Stars, dir. Vince Squibb · Kettle Chips, Academy · Very Autumn & Christmas, dir. Gary Freedman · P&O Cruises, Academy · ITV, dir. Tom Hooper, Smuggler
Clients
The names that come up most across eighteen years of call sheets.
The rooms
Available
Available for DIT work — commercials, promos and long form. Live grading, on-set colour, data management and QC, with my own kit. Seventeen years of it, for the production companies and agencies above.
I also build and run my own AI production tooling. The craft of a DIT is judgement about images under pressure — what a look is doing, what a sensor actually captured, what will survive the grade — and that judgement is exactly what tells you when a generated frame is right and when it only looks right.